There are any number of color "rules" you can follow when you're picking out your home's palette. The classic 60-30-10 Rule is a place to start. You can lean on the smart suggestions of a color expert. Those looking to add dark colors in a small space might even want to consult some online guidance. But the six stunning homes in this post prove that you can play around with what some might consider "clashing" color combos and pull it off beautifully.
A mossy green comprises a bold chevron pattern emblazoned with tiles on the kitchen backsplash. The cabinetry consists of a dusty blue reminiscent of a foggy sky. A perfectly hued pink makes up the tiles that hug the kitchen island base. How on earth are all of these colors working together in a way that doesn't resemble a baby's nursery? Well they're all quite balanced—each of the three colors show up in roughly the same percentage. But more importantly they all have the same medium, grayish-hued tone. It's not hot pink with an earthy blue and green. There's no neon green screaming the attention away from a pale blue and pink.
It's not unusual to see one boldly colored sofa in a living room. Sometimes even two. But three different large-scale seating options... in the same room... all a different strong color? How is that working? Well, in this case, all the colors belong to an established, known color "family," called jewel tones. Jewel tones—likely modeled after the rich hues seen in actual jewels—all go together because we've decided as a society they do. Also helping here is the art piece that contains all three main colors, as well as a soft gray-and-white rug that seems to ground the room.
I spy with my eye at least nine strong different colors in this room photo alone. How can so many disparate hues coexist so peacefully? In this illustrator's home, it's about using a lot of white or negative space, incorporating strong black and white graphic elements as the focal points, and then sprinkling little pops of strong color around the space. I know "pops of color" is a very cliche thing to say these days, but it's stuck around so long because it's a tried and true method of using a lot of different colors while not making your room feel out of control. Like a composition on paper or on the screen, Cécile's sprinkled pops of bold color throughout the room in a visually balanced way, crafting a room that feels calming yet colorful, at the same time.
"Arsenic" lights up the living room, "India Yellow" is splashed in the kitchen, "Cook's Blue" emboldens the bathroom, and "Red Earth" adds a warm glow to the bedroom. Do you know what all the wall paint colors in Matt's tiny house have in common? They're from the same brand, Farrow and Ball. Does that mean that any time you pick four random colors from the same manufacturer they'll magically go together? I wish. But by going with a high-end, tightly curated company like Farrow and Ball, you decrease your chances of clashing simply since many of the colors flow together nicely. In fact, many paint brands today build their own "themed" color palettes of carefully chosen colors that all "go" together. Start there if you're unsure.
Just going for every color in Chad Burton and Burger Kim's Toronto apartment and Cherub Stewart's New Jersey home
Two different countries, two different styles, and two very different color schemes, yet these two homes have something very important in common—they are going all the way with color and not apologizing for it. I wish I could point to any one "reason" why these two homes—filled with color on the walls, the furnishings, even the floors—work. I think the idea of, "If you're going to go over the top, go way over the top" applies here. The inhabitants didn't dip their design toes into color... there's no small pop of bright color here or there. Every square inch of these spaces is dripping in bold hues, and that's why it works.